This Part Two of The Influence of Atelier 17. To read the introduction and see the first list of artists, A – L, please click here.
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Ezio Martinelli: “Net and Triton” 1957; color etching and engraving. $500
Ezio Martinelli (American: 1913 – 1981): “Net and Triton” 1957; color etching and engraving; pencil signed; 68/200; platemark 17-1/2 x 11-7/8″.
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Andre Masson: Untitled abstract for the Solidarité portfolio, 1938; etching with engraving; pencil signed; 99/150; platemark 3-3/16 x 4-3/8″; reference: Saphire 65.
Andre Masson (French: 1896 – 1987): Untitled abstraction for the Solidarité portfolio, 1938; etching with engraving; pencil signed; 99/150; platemark 3-3/16 x 4-3/8″; reference: Saphire 65.
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Roberto Sebastian Matta: “Come Detta Dentro Vo Significo – plates 18 and 19” 1962; color etchings and aquatints. $2,000
Roberto Sebastian Matta (Chilean: 1911 – 2002): “Come Detta Dentro Vo Significo – plates 18 and 19; 1962; color etchings and aquatints; pencil signed; 64/100; platemarks 11 x 14-3/4 and 11 x 14-15/16″; reference: Sabatier 73 & 74; Silkeborg 49 & 50.
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Nick Frank De Matties (American: born 1939): “Firenze” 1965; mixed technique intaglio. $450
Nick De Matties (American: born 1939): “Firenze” 1965; mixed technique intaglio; pencil signed; 2/25; platemark 8-1/4 x 10-3/4″.
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Salvatore P. Mayo: “Deux Personnages” 1936; etching. $900
Salvatore Mayo (American: 1903 – 1988): “Deux Personnages” 1936; etching; pencil signed; 1/20; platemark 9-3/8 x 7″.
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Roderick Mead: “Wreck (Wreck on Sea Shore; Wrecked Ship)” 1935/’36; engraving. $3,500
Roderick Mead (American 1900 – 1971): “Wreck (a.k.a. Wreck on Seashore; Wrecked Ship)” 1935/’36; engraving; pencil signed; proof, outside the edition of 30; platemark 7-13/16 x 9-7/8″; reference: Museum of the Southwest 70; Austin/Desmond catalogue 64.
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Dean Meeker: “Don Quixote” 1966; color serigraph-polymer intaglio. $1,250
Dean Meeker (American: 1920 – 2002): “Don Quixote” 1966; color serigraph and polymer intaglio; pencil signed; 8/60; platemark 35-7/8 x 22-7/8″; reference: Dewey, p. 122.
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Joan Miro: “Gravures Pour une Exposition” 1973; color etching and aquatint. $6,000
Joan Miro (Spanish: 1893 – 1983): “Gravures Pour une Exposition” from a portfolio of 4 prints; 1973; color etching and aquatint; pencil signed; 72/75; platemark 13-5/8 x 26-7/8″; reference: Benhours 211; Dupin 606; R&G 211.
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Frances Mitchell: “The Struggle” 1951; intaglio. $350
Frances Mitchell Wardin (American: 1888 – 1983): “The Struggle” 1951; intaglio; pencil signed; proof, from an unstated edition; platemark 5″ diameter.
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George Miyasaki: “Composition 25” 1958; color lithograph. $4,000
George Miyasaki (American, born 1935): “Composition 25” 1958; color lithograph; pencil signed; 6/14; image size 25 x 19″.
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Magdeleine Mocquot: “Matines (poem by Marie Noël)” circa 1950; relief etching. $675
Magdeleine Mocquot (French: 1910 – 1991): “Matines (poem by Marie Noël)” circa 1950; relief etching with offset color; pencil signed; unique color proof; platemark 11-3/8 x 7-3/4″.
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Seong Moy: “Evi-O #2” 1982/’83; color woodcut with screenprint and gold leaf. $1,200
Seong Moy (American: born 1921): “Evi-O #2” 1982/1983; color woodcut with screenprint and gold leaf; pencil signed; artist’s proof 9/35; image size 18-5/8 x 9-1/2″; reference: similar to Syracuse 54 “Evi-O-0”.
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Barbara Neustadt: “A Dream of Love: Poem by Joseph Langland, Etchings by Barbara Neustadt” 1986; 18 mixed-technique intaglio prints. $2,500
Barbara Neustadt (American: 1922 – 1998): “A Dream of Love: Poem by Joseph Langland, Etchings by Barbara Neustadt” 1986; book of 18 mixed-technique intaglio prints; pencil signed; 35/40; image sizes: various; book size: 10-3/8 x 37″; reference: Neustadt 183.
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Cathal O’Toole: “Abstraction” 1937; etching, softground, and engraving with gauffrage. $1,000
Cathal O’Toole: “Abstraction” 1937; etching, softground, and engraving with gauffrage; pencil signed; unnumbered proof (proofs only, no edition); platemark 5-1/8 x 7″.
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Ramon Oeschger: “Long Clawson” 1974; color viscosity intaglio. $450
Ramon Oeschger (American: 1925 – 1992): “Long Clawson” 1974; color viscosity intaglio; pencil signed; 2/25; platemark 15-1/8 x 19-15/16″.
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Barbara Olmsted: “Ritual at 5” – a.k.a. “Le Sacre sans Merci” 1937; etching and engraving. $1,500
Barbara Olmstead (American: born 1915): “Ritual at 5 (a.k.a. Le Sacre sans Merci)” 1937; etching and engraving; pencil signed; 46; platemark 7-3/4 x 5-7/8″; reference: 1938 San Francisco Art Association catalogue #147.
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Harold Paris: “In the Garden (from the ‘Hosannah Suite’)” about 1955; Lucite engraving, printed in colors. $2,500
Harold Paris (American: 1925 – 1979): “In the Garden (from the ‘Hosannah Suite‘)” circa 1955; Lucite engraving, printed in colors; pencil signed; unique impression; platemark 11-1/4 x 14-5/8″.
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Gabor Peterdi: “Red Red Eclipse” 1967; mixed technique color etching. $600
Gabor Peterdi (American: 1915 – 2001): “Red Red Eclipse” 1967; mixed technique color etching; pencil signed; proof #8 outside of regular edition; platemark 17-1/2 x 23-1/4″‘ reference: Peterdi 264.
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Helen Phillips: “Danseuse” circa 1950; aquatint and open bite with color, simultaneous printed. $1,500
Helen Phillips (American: 1913 – 1995): “Danseuse” circa 1950; aquatint and open bite with color, simultaneous (viscosity) printed; pencil signed; proof, edition size not stated; platemark 10-1/8 x 5-3/8″.
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Philip D. Platt (American, active mid 20th century): Untitled abstract figure, 1943; engraving. $400
Philip D. Platt (American, active mid 20th century): Untitled abstract figure, 1943; engraving; pencil signed; proof, from an unstated edition; platemark 4-1/2 x 4-3/4″.
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Andre Racz: “Hermit Crab – from ‘Reign of Claws’ portfolio” 1945; engraving. $600
Andre Racz (American: 1916 – 1994): “Hermit Crab” from Reign of Claws portfolio, 1945; engraving; pencil signed; 17/50; platemark 5-7/8 x 7-7/8″; reference: Smithsonian 1990.14.2.
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Abraham Rattner: “Why” 1966; color lithograph. $600
Abraham Rattner (American: 1893 – 1978): “Why” 1966; color lithograph; pencil signed; 99/100; image size 13-1/4 x 21-1/4″.
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Krishna Reddy: “Two Forms in One” 1957; color viscosity intaglio. $2,500
Krishna Reddy (American born 1925): “Two Forms in One” 1957; color viscosity intaglio; pencil signed; 6/220; platemark 15-3/8 x 12″.
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Dolf Reiser: “Les Moines” circa 1936; etching. $1,000
Dolf Reiser (South African: 1898 – 1983): “Les Moines” circa 1936; etching; pencil signed; 3/30; platemark 4-7/16 x 7-5/16″.
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Michael Rothenstein: Untitled abstraction, circa 1970; mixed media: lithography, woodcut, and photo-screenprint. $1,000
Michael Rothenstein (English: 1906 – 1993): Untitled abstraction, circa 1970; mixed media: lithography, woodcut, and photo-screenprint; pencil signed; 5/20; image size 32-1/2 x 23-1/2″.
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Juichi Saito: Untitled abstraction, 1965. $350
Juichi Saito (Japanense: born 1931): Untitled abstraction, 1965; color engraving and aquatint; pencil signed; 22/50; platemark 16-3/8 x 11-13/16″.
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Hector Saunier: “Levitation” 1995; engraving and aquatint printed in colors. $850
Hector Saunier (Argentinian: born 1936): “Levitation” 1995; engraving and aquatint printed in colors; pencil signed; artist’s proof; platemark 19-5/16 x 23″.
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Louis Schanker: “Circle Image No. 25” 1951/’52; color plaster relief print. $1,600
Louis Schanker (American: 1903 – 1981): “Circle Image No. 25” 1951 /’52; color plaster relief print; pencil signed; 189/200; image size 14 x 17-7/8″; reference: Brooklyn Museum 121; IGAS 1952, Feb., series 1.
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Doris Seidler: “Winter III – February Fog” 1960; color etching. $2,800
Doris Seidler (American: 1912 – 2010): “Winter III – February Fog” 1960; color etching; pencil signed; artist’s proof; platemark 14-13/16 x 17-7/8″.
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Gail Singer: “Head”circa 1950; color block print. $450
Gail Singer (American: 1924 – 1983): “Head” circa 1950; color block print; pencil signed; proof, from an unstated edition; image size 11-1/2 x 9-1/8″.
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Agathe Sorel: “Le Bois Dorment” 1959; color intaglio. $400
Agathe Sorel (Hungarian: born 1935): “Le Bois Dorment” 1959; color intaglio; pencil signed; 10/50; platemark 11-3/4 x 15-5/16″.
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Ferdinand Springer: “Ressac” circa 1960; engraving. $300
Ferdinand Springer (German: 1908 – 1998): “Ressac” circa 1960; engraving; pencil signed; artist’s proof from an edition of 30; platemark 15-/16 x 18-3/16″.
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Dick Swift: “Nocturnal Images” 1967; color viscosity intaglio. $500
Dick Swift (American: 1918 – 2010): “Nocturnal Images” 1967; color viscosity intaglio; pencil signed; artist’s proof numbered XX/XX; platemark 10-7/8 x 7-7/8″.
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Arpad Szenes: “Merry Go Round” 1934; etching and engraving. $1,500
Arpad Szenes (Hungarian/French: 1898 – 1985): “Merry Go Round” 1934; etching and engraving; pencil signed; 4/30; platemark 4-5/16 x 5-3/4″.
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Valerie Thornton: “Forest” circa 1955; open bite etching. $650
Valerie Thornton (British: 1931 – 1991): “Forest” circa 1955; color open bite etching; pencil signed; artist’s proof from an unstated edition; platemark 14-5/8 x 7-5/8″.
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Julian Trevelyan: “Les Baux” 1975; color etching and aquatint. $900
Julian Trevelyan (British: 1910 – 1988): “Les Baux” 1975; color etching and aquatint; pencil signed; from an edition of 51; platemark 13-7/8 x 18-7/8″.
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Glyn Uzzell: “Celtic Spring” 1969; mixed technique color intaglio monoprint. $350
Glyn Uzzell (British: born 1930): “Celtic Spring” 1969; mixed technique color intaglio print; pencil signed; unique proof; platemark 23-3/8 x 15-5/8″.
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Louis Vargas Rosas: Unittled abstraction, 1936; engraving and soft-ground etching. $600
Luis Vargas Rosas (Chilean: 1897 – 1977): Untitled abstraction, 1936; engraving and softground etching; pencil signed; epreuve d’etat (proof state); platemark 7-1/8 x 10-5/8″.
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Roger Vieillard: “Architecture I (Economic Dirigee; The New Deal; The Tower)” 1935; engraving. $3,000
Roger Vieillard (French: 1907 – 1989): “Architecture I (Economic Dirigee; The New Deal; The Tower)” 1935; engraving; pencil signed; 6/40; platemark 14-3/4 x 10-1/16″; reference: Hacker 20; Autsin/Desmond catalogue 95.
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Margaret Walters: “Cavaliers” 1959; color intaglio. $600
Margaret Walters (American: 1924 – 1971): “Cavaliers” 1959; color intaglio; pencil signed; proof from an unstated edition; platemark 8-1/2 x 11-3/8″.
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Shirley E. Witebsky: “Crystal” circa 1960; color viscosity etching. $1,200
Shirley E. Witebsky (American: 1925 – 1966): “Crystal” circa 1960; color viscosity etching; pencil singed; artist’s proof; platemark 17 x 11-7/8″.
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John Buckland Wright: “Torso” 1935; softground etching and engraving. $2,800
John Buckland Wright (British: 1897 – 1954): “Torso” 1935; softground etching and engraving; pencil signed; editioned 10/30, though only 18 were printed; platemark 11-5/8 x 7-1/8″; reference: Wright M57.
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Tomoe Yokoi: “Melon and Tomato” circa 1985; color mezzotint. $350
Tomoe Yokoi (Japanese: born 1943): “Melon and Tomato” circa 1985; color mezzotint; pencil signed; artist’s proof from an edition of around 75; platemark 13-3/4 x 9-1/2″.
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Masao Yoshida: “Voilier (Sailing ship)” 1963; mixed technique color intaglio. $750
Masao Yoshida (Japanese: born 1943): “Voilier (Sailing ship)” 1963; mixed technique color intaglio; pencil signed; 1/30; platemark 15-7/16 x 19-3/8″.
